Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Unlike his contemporaries in 17th-century Holland, Cornelis Visscher adopted engraving rather than etching as his main form of artistic production. Viewed as a master of the complex technique, he made works that were praised and collected. The peasants shown in Visscher’s scenes are both rugged and nearly facetious. His Bohemian Woman depicts a mother acting as a balance beam for three animated children—all demanding some form of attention from her. The combination of her exposed breast with suckling infant, approaching hunters, and an oddly placed whimsical backdrop is disconcerting but simultaneously all the more intriguing in its incongruity.
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Clement de Jonghe|Cornelis Visscher — Roma Mother with Child
Louis Joseph Watteau, called Watteau de Lille — Young Father
Jacques Dumont — The Savoyard
Jacques Callot — A Mother with her Three Children, plate 18
Jacques Dassonville — Eight peasants in a rustic interior
Rembrandt van Rijn — The Pancake Woman
Jacques Dassonville — An old woman holding a glass and a pie
Rembrandt van Rijn (Dutch, 1606–1669) — The Pancake Woman
Johann Liss — Interior with Two Pairs of Lovers and a Fool
Cornelis Bloemaert — Pleasures of Occupation
Jacques Dassonville — Old woman and two infants
Philippe Jacques de Loutherbourg — Young Woman Carrying Vege