Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
As the prominent curtains imply, this boisterous genre scene by the itinerant German artist Johann Liss likely takes place in the cosy interior of a brothel. In a gesture typical of northern European sensitivities, the crouching fool covers much of his face with his hand, yet fixes the viewer in his gaze. By enjoying the sensory delights on display—music and lovemaking— the viewer is implicated as part of the scene. Liss may have produced this print in Venice at the end of his career; the print’s lightly moralistic tone is equally at home in southern Europe.
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Rembrandt van Rijn (Dutch, 1606–1669) — Joseph Telling his D
Abraham Bosse|Jean I Leblond — The Barber
Abraham Bosse — The Surgeon
Jan Saenredam — Morning, from The Four Times of Day
Gerrit Pietersz — The Rest on the Flight to Egypt
Peter Paul Rubens|Johannes Meyssens|Paulus Pontius — Holy Fa
Christoffel Jegher — The Garden of Love, Right Half
Abraham Bosse|Jean I Leblond — The Prodigal Son in a House o
Abraham Bosse|Jean I Leblond — The Prodigal Son Changes His
Jan Saenredam — Morning, plate one from Four Times of Day
Abraham Bosse|Jean I Leblond — The Surgeon (La Saignée)
Cornelis van Kittensteyn — Tactus (Touch), from The Five Sen