● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Piero di Cosimo was known as one of the most unorthodox artists in Renaissance Florence. His paintings enliven traditional themes through imaginative inventions. Here, John the Baptist offers plums to the infant Jesus, who eagerly devours one while another lies half-eaten on the ground. At right, Saint Cecilia, patron of musicians, sings from a book of music, while wingless angels look on in the background. The shadowed effect in the figures surrounding the Virgin and Child indicate that Piero altered his plans for the composition after he had begun painting: He added them on top of the dark background color, which shows through the thin layers of paint on the surface.
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Master of the Holden Tondo (Italian) — Virgin and Child with
Meester van de Conversazione di Santo Spirito — Maria met Ch
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) — Madonna Ador
anonymous — Madonna and Child with the Infant John the Bapti
Pietro del Donzello (Italian, 1452–1509) — Virgin and Child
Cosimo Rosselli — De aanbidding van het Christuskind
Sandro Botticelli (Italian, 1444/45–1510) — Virgin and Child
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) — Madonna
Cosimo Rosselli — Madonna and Child with Two Angels
Francesco Granacci (Francesco di Andrea di Marco) — Madonna
Jacopo di Arcangelo (called Jacopo del Sellaio) — The Virgin
Antonio Rimpatta — The Holy Family with Four Saints and a Fe