● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Here, the infant Jesus sits in a central position on the lap of his mother, Mary, with Saint John the Evangelist nearby, holding a golden chalice. The half-length representation of a kneeling woman at the bottom right represents the donor who commissioned the painting, likely for a small church or private chapel. This type of composition, with several figures grouped around the Holy Family and a donor present, is known as a sacra conversazione (sacred conversation) and was popular in 16th-century Italy. Antonio Rimpatta was probably born in Bologna before relocating to Naples. He traveled frequently throughout central Italy, where he absorbed the characteristics of a variety of painters, resulting in an eclectic style.
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Sandro Botticelli — Virgin and Child with an Angel
Neri di Bicci (Italian, 1419–1491) — Virgin and Child with A
Giovanni Battista Cima da Conegliano (Italian, c. 1459–1518)
Vincenzo Frediani — The Adoration of the Christ Child
Konrad Laib (German) — Adoration of the Magi
Lorenzo da Sanseverino (Italian, 1468–1500) — Virgin and Chi
Ansano Ciampanti — Virgin and Child Enthroned with Two Angel
Bartel Bruyn, the elder — Virgin and Child with Saint Anne,
Cosimo Rosselli — Madonna and Child with Two Angels
Luca Signorelli (Luca d'Egidio di Luca di Ventura) — Madonna
Lorenzo di Credi (Italian, 1459–1537) — Virgin and Child
Pesellino (Francesco di Stefano) — Madonna and Child with Si