● On view now — Gallery 239
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Court culture dictated that young noble children were expected to be dressed like adults, and this led to the production of scaled-down fashion accessories like smallswords. The size of this sword suggests it was made for a boy of between four and six. A seemingly dangerous proposition, children’s swords were often tied firmly into their scabbards so that they wouldn’t hurt themselves or someone else.
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Head of a Woman
Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln
Panels from the High Altar of the Charterhouse of Saint-Hono
Portrait of a Young Man
Altarpiece from Thuison-les-Abbeville: Saint Honoré
Altarpiece from Thuison-les-Abbeville: The Ascension
Panels from the High Altar of the Charterhouse of Saint-Hono
The Nymph of Fontainebleau
Blade: Peter Munch
Germany, Solingen, c. 1595-1660 — Smallsw
Aubry Le Jeune — Smallsword
Hilt: Flemish or Dutch; blade: French — Composite Smallsword
Western European — Smallsword
Northern European, probably English — Transitional Rapier
Hilt: northern European (possibly Swedish)
Blade: possibly I
Melchior Diefstetter — Composite Sword
German — Cavalry Sword with Calendar Blade
German
Blade possibly Spanish — Parrying Poniard
Dutch — Sword (Pappenheimer Rapier)
German — Boar Sword
Northern European — Rapier