Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The central scene woven into this panel displays a bird-headed anthropomorphic figure with a crescent-shaped headdress, possibly representing the otherworldly figure known as the Sicán Deity or a human impersonator of this legendary leader of the Lambayeque. In this depiction, the figure holds a ceremonial knife, called a tumi, and is engaged in a brutal ritual human sacrifice, likely a decapitation. Another victim hangs by a long rope wrapped around his neck. The borders and horizontal bands of this panel reiterate the theme of human sacrifice as they contain repeated depictions of trophy heads or bound captives—most likely, enemy warriors taken in battle. The two additional scenes above and below display composite amphibian-butterflies that may allude to metamorphosis or hallucinogens involved in the sacrificial ritual.
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Ceremonial Knife (Tumi) With Figural Scene and Zoomorphic Fi
Panel
Single Spout Bottle in the form of a Animal with Lined Skin
Vessel with Double-Horned Spouts
Single Spout Vessel with Molded Abstract Figure
Single-Handled Pedestal Jar with Geometric Motifs and Appliq
Handeled Jar with Painted Relief Depicting Figure with Anima
Panel
Chancay — Fragment
Egypt — Fragment
Anonymous — Towel or Napkin (Altered)
Chimú — Fragment (Loincloth)
Chimú — Fragment
Uzbekistan, Bukhara — Panel
Probably north coast, Peru — Fragment
Islamic — Fragment from the Mantle of Don Felipe
Egypt — Fragment
Islamic — Fragment
Ancient Egyptian — Yoke
Probably north or central coast, Peru — Fragment