● On view now — Gallery 161
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
View of Cotopaxi brings together in visual form scientific, religious, political, and cultural ideas in the mid-19th century. Inspired by German naturalist Alexander von Humboldt’s concept of ecological interconnectedness, Frederic Edwin Church traveled to South America to meticulously study the tropical landscape. The artist produced at least ten finished paintings of the Ecuadorian volcano, this one completed in his studio just before his second visit to the region. For Church and other Christian viewers, nature, with all its creative and destructive wonders, was evidence of divine power. The painting likewise reflected an imperialist vision, as US government officials eyed Latin America as a site for territorial expansion and conquest.
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Robert S. Duncanson (American, 1821–1872) — Vale of Kashmir
Antoine Auguste Joseph Payen — De Grote Postweg bij Rajapola
Agostino Brunias — View on the River Roseau, Dominica
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