Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this expansive view of Dominica, people along the riverbank bathe, wash linens, converse, and sell produce. The presence of indigenous Carib, African, Afro-Creole, European, and mixed-race individuals attests to the long history of white-settler colonialism in the West Indies, where valuable crops such as coffee and sugar were cultivated through the labor of enslaved people. The Italian-born artist Agostino Brunias settled on the island, painting scenes of Caribbean life for his planter-class patrons as well as white audiences abroad. Eliding the brutal conditions of slavery, his compositions shaped a reassuring vision of British imperialism for those in power. Yet by centering enslaved and free people of color—and focusing on mixed-race interactions—he also foregrounded the human impact of colonialism.
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French or American Artist (possibly Victor de Grailly, Paris
Antoine Auguste Joseph Payen — De Grote Postweg bij Rajapola
Victor de Grailly (French, 1804–1889) — The Oxbow Seen from
John Rathbone — Landscape with Fisherman and Washerwoman
Johann Georg von Dillis — A Farmhouse in the Bavarian Alps
Jan Both — Italiaans landschap met overzetveer
George Inness — Crossing the Ford
Willem de Heusch — Italian Landscape with Resting Herdman
George Inness — The Old Mill
Thomas Cole — New England Scenery
George Inness (American, 1825–1894) — The Wood Chopper
Joris van der Haagen — Landscape with Fisherman with a squar