Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Because Piet Mondrian depicted this specific farm no fewer than 13 times, determining when he actually made this drawing is difficult. Prior to 1908, he rarely dated his work; moreover, his artistic evolution is hard to trace chronologically since he made two kinds of work simultaneously: formally experimental landscapes and—forced by his meager finances to appeal to buyers—naturalistic scenes. Based on stylistic similarities to other works of that time, Robert Welsh, a scholar of Mondrian’s early work, dated the sheet to around 1905-06.
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Frank Duveneck — On the Thames
Auguste Allongé (French, 1833–1898) — Gust of Wind on the Po
Charles François Daubigny (French, 1817–1878) — Cows at a Wa
Francis Seymour Haden (British, 1818–1910) — The Island, opp
Donald Shaw MacLaughlan — The Trout Stream
John Crome (British, 1768–1821) — Back of the Mills
David Young Cameron — The Clyde Near Carmyle
Charles-François Daubigny — Landscape with Ducks
Charles-François Daubigny — A River Landscape with Storks
Francis Seymour Haden — The Island Opposite Boyle's Farm
Charles François Daubigny — Path in the Woods
Théodore Rousseau (French, 1812–1867) — Leaving the Forest,