In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The late 18th century saw the development of color printing, a laborious process in which the image is built up from separate plates for each color. Applying Newton’s theory of color, a plate was prepared for each of the three primary colors (blue, yellow, and red) as well as for a darker color (usually black, to provide a unifying background tone). These plates, too, were often embellished with hand work in watercolor
Be the first to share your thoughts.
Sign in to join the discussion.
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Georg Dionysius Ehret (German, 1708–1770) — Plantae et papil
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Jean-Baptiste I Monnoyer (French, c. 1636–1699) — Liure de T
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Antoine Chazal (French, 1793–1854) — Flore Pittoresque ou Re
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Jacques I Bailly (French, 1634–1679) — Divers fleurs mises e
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Louis Charles Ruotte (French, 1754–1806) — Collection of Flo