FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
By the mid-17th century, there was a surge of interest in beautiful, exotic plants and formal royal gardens. At Fountainebleau and the Louvre, the gardens were filled with flowers from far-away places, such as the Near East, India, the East and West Indies, and South America. In 1735 Carl Linnaeus (1707-1778) invented the first scientific classification system for 7,700 plants. As a result, accuracy as well as artistic skill were required for the numerous portfolios of botanical prints popular with gardeners and those involved with the decorative arts. In these lavish productions, some of the color is printed but the remainder is added with watercolor, giving the illusion of transparency, luminosity, and the delicacy characteristic of flowers. Stipple was a technique developed in England from the 1760s. A point is used to build up a mass of flicks and dots to create a wide range of tones.
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Henry Fletcher (British, active 1715–38) — Twelve Months of 
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Jean-Baptiste I Monnoyer (French, c. 1636–1699) — Bouquet
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Red and Blue Flowers and White Daisy
Jean-Baptiste I Monnoyer (French, c. 1636–1699) — Bouquet
Henry Fletcher (British, active 1715–38) — Twelve Months of 
Giacomo Cavenezia (Italian) — Floral Designs with a Blue Bir
John Edwards (British) — A Collection of Flowers Drawn after
Smith (British) — Chinese Tree Peony (Paeonia suffruticosa)
Bartholomaus Seutter (German, 1678–1754) — Tulips
Henri Joseph Redouté (French, 1766–1853) — Rosa Centifolia A