● On view now — Gallery 208
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this terracotta sculpture, a pouting putto and his companion flank an elaborate candelabra with a lit torch. The surfaces of the fleshy baby bodies and architectural elements retain the striations and marks of the sculptor’s tools, an indication that this work was not a finished product. Artists considered terracotta, a type of ceramic characterized by its reddish-brown color, an ideal medium for models. Such models served as guides for their assistants to begin the final version, in this case likely an element of a larger sculptural ensemble.
Be the first to share your thoughts.
Sign in to join the discussion.
Roman — Putto with Papal Insignia
Albert-Ernest Carrier-Belleuse — La Source
Ancient Greek — Statuette of a Seated Girl
German — Putto
Ancient Roman — Relief Plaque
Wedgwood Manufactory — Plaque with Marriage of Cupid and Psy
Jacob de Wit — Autumn
Hans Peiser — Putto
China — Curly-Haired Youth
Pierre François Lejeune — Figural Group
Panel with the god Shiva/Oesho and worshiper
Jean-Louis Lemoyne — The Fear of Love