● On view now — Collection Gallery, Room 23, West Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Renoir was fascinated by hats and their infinite array of trimmings. To quote the model-turned-painter Suzanne Valadon: "Renoir particularly loved women's hats . . . he never ceased buying lots of hats." The millinery trade was a thriving industry in Paris during the second half of the 19th century. When the vogue for hats reached its peak, Paris was home to about 1,000 milliners. Since hats represented the most variable accessory in a wardrobe, even women with moderate means owned several. In this kaleidoscopic sketch, Renoir lavished his attention on the hats, while the heads are no more individualized than mannequins.
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The Apple Seller
Madame Léon Clapisson
Near the Lake
Landscape with Woman in Pink and White (Paysage avec femme e
Woman in Red in a Landscape (Femme en rouge dans un paysage)
The Seine at Argenteuil (La Seine à Argenteuil)
Children on the Seashore, Guernsey (Enfants au bord de la me
Girl at the Foot of a Tree (Fillette au pied d'un arbre)
Auguste Renoir — Figures under a Tree
Paul Cézanne — Bathers (recto); Landscape (verso)
Pierre-Auguste Renoir (French, 1841–1919) — Bathers Playing
Pierre-Auguste Renoir (French, 1841–1919) — Pinning the Hat
Paul Cezanne — Bathers
Paul Cézanne — Bathers (Baigneurs)
Pierre-Auguste Renoir (French, 1841–1919) — The Apple Seller
Paul Cezanne — The Bathers
Paul Cézanne — The Toilette (La Toilette)