● On view now — Gallery 247
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the summer of 1890, Paul Sérusier traveled to the small seaside village of Le Pouldu in Brittany in northwestern France. The artist was struck by the area’s dramatic, untamed landscape, particularly its beaches’ sweeping dunes and wind-bent trees, which dominate this picture. He emphasized the power of nature by including a tiny human figure among the dunes. Seeking to convey the sensations of the environment without being overly representational, Sérusier composed the picture with fields of pure, bold color and strong lines. This style, called synthetism, was also championed by Paul Gauguin .
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Félix Vallotton (Swiss French, 1865–1925) — Corn Fields
Jan Verkade (Dutch, 1868–1946) — Breton Landscape
Camille Pissarro — The Banks of the Marne in Winter
Henri Matisse — The Black Boat (Le Bateau noir)
Edgar Degas — View of Saint-Valéry-sur-Somme
Gerrit van Blaaderen — The Village of Sannois
Jan Toorop — Misty Sea
Alfred Sisley — Sahurs Meadows in Morning Sun