● On view now — Gallery 241
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Harvest of Buckwheat demonstrates how Paul Sérusier’s interest in Japanese art influenced his painting. The simplified forms and asymmetrical composition are elements also found in Japanese prints, which circulated widely in France in the late 1800s. The vertical format, too, recalls the panels of Japanese wall hangings or screens. Sérusier shared an affinity for Japanese aesthetics with his fellow members of the Nabis, a group of artists whose name, coined by poet Henri Cazalis, comes from the Hebrew word for prophet . The group believed that painting should be decorative as opposed to purely representational. As a result, they sought formats and approaches that departed from traditional easel painting.
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Claude-Emile Schuffenecker (French, 1851–1934) — Landscape w
Paul Gauguin ; Paul Sérusier — Breton Women by the Sea
Jean Charles Cazin — Theocritus
Jan Verkade (Dutch, 1868–1946) — Breton Landscape