Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Pleasure-boating in the evening on the Sumida River to escape the summer’s heat was about as popular as viewing cherry blossoms in spring for Edo townspeople. The river also led the way to the Yoshiwara, the licensed brothel district. A boating party with courtesans and gentlemen jostles up next to afishing boat. Utamaro enjoyed portraying a scene through the design of a fishing or mosquito net. The different colors of the net suggest these impressions may be from two different series.
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Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur
Chōbunsai Eishi (Japanese, 1756–1829) — Women in a Pleasure
Torii Kiyonaga — Ferry on the Rokugo River
Utagawa Toyokuni (Japanese, 1769–1825) — Courtesans of the Ō
Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur
Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur
Torii Kiyonaga (Japanese, 1752–1815) — Passengers in a Ferry
Utagawa Toyokuni (Japanese, 1769–1825) — The Shika Teahouse
Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur
Torii Kiyonaga (Japanese, 1752–1815) — Boating Party on the
Katsukawa Shunchō (Japanese) — A Thousand Autumns, Ten Thous
Chōbunsai Eishi