Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In these prints, two courtesans of the Ōgiya brothel are entering an open pavilion, while another group gathers around a Japanese hibachi inside. Hanaōgi, the most celebrated courtesan of Ōgiya in the late 1700s, is depicted at a desk. Holding a brush in her hand, she turns her head to one side as if gathering her thoughts before writing in the book before her. Both her position and her loosened hair separate Hanaōgi from her courtesan companions who wear elaborate coiffures. This depiction of her captures both her knowledge of poetry and her skill as a calligrapher.
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Courtesans Promenading on the Nakanochō
Cherry Blossoms in the Wind
Courtesans Promenading on the Nakanochō
Courtesans Promenading on the Nakanochō
Courtesans of the Ōgiya on a Spring Outing
Memorial Portrait of Sawamura Sojuro III as Satsuma Gengobei
Iwai Kiyotaro (Edoya) as Okaru (from the series Pictures of
The Shika Teahouse
Torii Kiyonaga (Japanese, 1752–1815) — Woman Dropping a Lant
Chōbunsai Eishi (Japanese, 1756–1829) — Print from Women Res
Kitagawa Utamaro (Japanese, c. 1754–1806) — Musashi Provinc
Utagawa Toyoharu — Painting (Ga), from an untitled series of
Chōbunsai Eishi (Japanese, 1756–1829) — Morning Glory (from
Chôbunsai Eishi — Sugawara of the Tsuruya with Attendants Mu
Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur
Chōbunsai Eishi (Japanese, 1756–1829) — The Courtesan Kisaga
Isoda Koryūsai (Japanese, 1735–1790) — The Courtesan Kichiju
Utagawa Toyoharu — Painting (Ga), from an untitled series of
Kitagawa Utamaro (Japanese, c. 1754–1806) — Omi Province fro
Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur