Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
John Hamilton Mortimer supported the prevailing academic doctrine which located history painting at the top of the hierarchy of subject matter. Unlike many of his contemporaries, however, he turned to the great subjects of English literature for themes. From 1775 to 1776, Mortimer produced etchings of twelve Shakespearean characters, including King Lear, Ophelia, and Caliban. In this dramatic composition, the skeletal figure of death looms over the tense King Richard II. This rare signed proof is a marvelous example of Mortimer's Romantic sensibility. By the time he was twenty-three years old, Mortimer had won numerous prizes for his drawings and paintings and was considered one of the rising stars of English art. In 1774, he became president of the Society of Artists of Great Britain, to whose annual exhibitions he was a regular contributor. The artist's promising career was cut short by his untimely death at the age of thirty-nine.
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John Hamilton Mortimer — Richard II, from Twelve Characters
John Hamilton Mortimer|William Shakespeare — Richard II (fro
John Hamilton Mortimer|Robert Blyth — An Aga of the Janizari
Anonymous, French, 18th century|Joseph Marie Vien — Study of
John Hamilton Mortimer|William Shakespeare — Bardolph, from
Jacob Matham — Bust of a Man in Profile
Joseph Marie Vien, I — Ambassadeur du Mogol, plate nineteen
Joseph Marie Vien, I — Ambassadeur de la Chine, plate fiftee
Joseph Marie Vien, I — Sultane Noire, plate 28 from Caravann
Joseph Marie Vien, I — Le Grand Vizir, plate five from Carav
Antoine-Jean Gros (French, 1771–1835) — A Mameluke Chief on
Anonymous|Raffaello Schiaminossi — Plate 2: Octavius in prof