Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
John Hamilton Mortimer supported the prevailing academic doctrine which located history painting at the top of the hierarchy of subject matter. Unlike many of his contemporaries, however, he turned to the great subjects of English literature for themes. From 1775 to 1776, Mortimer produced etchings of twelve Shakespearean characters, including King Lear, Ophelia, and Caliban. In this dramatic composition, the skeletal figure of death looms over the tense King Richard II. This rare signed proof is a marvelous example of Mortimer's Romantic sensibility. By the time he was twenty-three years old, Mortimer had won numerous prizes for his drawings and paintings and was considered one of the rising stars of English art. In 1774, he became president of the Society of Artists of Great Britain, to whose annual exhibitions he was a regular contributor. The artist's promising career was cut short by his untimely death at the age of thirty-nine.
Be the first to share your thoughts.
Sign in to join the discussion.
John Hamilton Mortimer|William Shakespeare — Richard II (fro
John Hamilton Mortimer|Robert Blyth — An Aga of the Janizari
Anonymous, French, 18th century|Joseph Marie Vien — Study of
John Hamilton Mortimer|William Shakespeare — Bardolph, from
Antoine-Jean Gros (French, 1771–1835) — A Mameluke Chief on
Anonymous|Raffaello Schiaminossi — Plate 2: Octavius in prof
Charles Heath, the elder|John Hamilton Mortimer — Oriental H
Hakman|François Boucher — Head of a Man Wearing a Turban
Stefano della Bella|Johanna Christina Küsell|Jeremias Wolff
Charles Nicolas Cochin I|Jean Baptiste Vanmour|Jacques le Ha
John Hamilton Mortimer|John Hall|John Boydell — Banditti Gam
Jacques Louis David|baron Dominique Vivant Denon — Civil Gar