Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the early 19th century, schoolgirls in Northern Europe made darning samplers to learn the crucial skill of mending, practicing a range of embroidery and darning techniques that could extend the life of garments and household textiles. Although these repairs have a beauty all their own when made in contrasting thread, they were ultimately intended to be invisible. The use of two-colored threads allowed students to discern the underlying weave structure; students would gradually transition to using one color of thread as they gained skill.
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Germany or Netherlands — Darning Sampler
Europe — Sampler
England, Germany, or Netherlands — Darning Sampler
Elise Grill — Curtain
Mexico — Sampler
England, Germany, or Netherlands — Darning Sampler
Charlotte M. Berg — Fragment (From a Sampler)
Spain — Sampler
Sweden — Panel (Originally a Lucnheon Cloth)
Italy — Cover
England — Insertion from a Table Cloth
Germany — Sampler