Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In Japan during the Edo period (1615–1868), bathing was considered a communal activity, and bathhouses were popular places to socialize. The women in this painting—most likely courtesans—are performing a variety of tasks in addition to bathing, such as doing laundry and combing one another’s hair. Two women near the back of the scene are reading a book; one of them holds her hand to her face as if to express her shock at the content, or perhaps to whisper in the other’s ear.
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Toeizan Temple at Ueno (Ueno Toeizan no zu), from the series
Courtesans of Tsuruya, from the book "Mirror of Beautiful Wo
Viewing Maple Leaves (Momijigari), from the series "Dance Cu
Daibutsu no bansho|Vesper Bell of the Temple of Great Buddha
Untitled
Courtesans of Yotsumaya, from the book "Mirror of Beautiful
Courtesans of Kado Daikokuya, from the book "Mirror of Beaut
Returning Sails at Ryogoku River (Ryogoku no kihan), from th
Furuyama Moromasa
能楽風俗図絵巻|Six Noh Performances in Scenes from Daily Life
Okumura Masanobu — Original Perspective Picture of the Fashi
Nishimura Shigenaga (Japanese, 1697(?)-1756) — Tea House Bes
Okumura Masanobu
Kitagawa Utamaro — Shell-Matching Game, from the illustrated
Kitao Masayoshi (Kuwagata Keisai) — Act VII (Shichidanme), f
Chôbunsai Eishi — A Woman's Poetry Party
Torii Kiyonaga — Visitors to Enoshima
Suzuki Harunobu — The Introduction (Miai), the first sheet f
Torii Kiyonaga — The First Bath of the New Year (Yudono haji
Utagawa Toyokuni I — Courtesans of the Chojiya and their att