Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Between 1753 and 1774, John Singleton Copley painted 350 portraits, primarily of Bostonians. He was largely self-taught, his only formal training from his stepfather Peter Pelham, an English artist who specialized in mezzotint engraving. Pelham encouraged Copley to produce his own mezzotints and to learn to draw by copying English prints. By the time Daniel Hubbard (1764) and Mrs. Daniel Hubbard (Mary Greene) (c. 1764; 1947.28) were produced, the artist had established a popular portrait style featuring individualized faces and luxurious fabrics. A decade later, Copley left colonial Massachusetts for England to further his career and simultaneously escape the strong political divides among family, friends, and patrons amid the impending Revolution.
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Joseph Blackburn (British, c. 1730–1787) — John Browne
Cosmo Alexander — Alexander Grant
John Wollaston — Portrait of a Young Man
Ralph Earl — Noah Smith
Joseph Highmore — Freeman Flower
John Smibert — Richard Bill
Robert Feke (American, c. 1707–c. 1752) — Charles Apthorp
Samuel De Wilde — Mr. Quick as Vellum in Addison's Drummer
August Christian Hauck — Johan Arnold Zoutman (1724-93), Vic
Jean-Etienne Liotard — Portrait of Joseph Bouër
Francis Cotes — Admiral Harry Paulet (1719/20–1794), Sixth D
Thomas Hudson — John Newton