Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This invention of an imaginary Egyptian tomb by the French artist, architect, and stage designer Louis-Jean Desprez was one of a set of four aquatints on the theme that he designed while living in Rome. It combines a sense of theatrical drama with references to Egyptian antiquities, which enjoyed a vogue at the time. The print’s bizarre fantasy (made horrific by the exposed corpse in the open tomb), enhanced by dramatic contrasts of light and shadow, makes it a document of some importance among the early manifestations in art of pre-romantic sensibilities.
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The Grotto of Posillipo (La Grotta di Posillipo)
View of the Grotta di Palazzo with Banquet
The Tomb of Agamemnon
Antoine de Chézy
View of the Portal and Principal Entrance of the Cathedral o
Visitors Inspecting Classical Ruins
The Capture of Selinus by Hannibal
Design for the Decoration of the Altar to be erected during
Louis Jean Desprez (French, 1743–1804) — Tomb with Sphinxes
Pietro Fancelli (Italian, 1764–1850) — Design for a Fresco o
Francesco Piranesi|Giovanni Battista Piranesi — Prison Scene
Louis François Petit Radel — Antique Monuments
Anonymous, Italian, 19th century — Design for a Stage Set: C
Johannes Antiquus — A Woman at a Fountain by a Ruined Temple
Hendrik Voogd — The Interior of the So-called Stables of Mae
Anonymous, Italian, 19th century — Crypt with a Kneeling Mou
Giovanni Battista Piranesi — Interior view of the villa of M
Giovanni Marigliano (Giovanni da Nola) — Tomb of Don Pedro d
Jean Michel Moreau the Younger — Elevation for a Wall Tomb
Wenceslaus Hollar|Sebastiaen Vrancx — Roman remains at Tivol