Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The growing popularity of Egypt in the late 18th century, bolstered by Napoleon Bonaparte’s ultimately failed attempt to colonize the country, ensured a ready market for the subject of Louis Jean Desprez's print.
Be the first to share your thoughts.
Sign in to join the discussion.
The Grotto of Posillipo (La Grotta di Posillipo)
View of the Grotta di Palazzo with Banquet
The Tomb of Agamemnon
Antoine de Chézy
View of the Portal and Principal Entrance of the Cathedral o
Visitors Inspecting Classical Ruins
The Capture of Selinus by Hannibal
Design for the Decoration of the Altar to be erected during
Louis Jean Desprez — Tomb with Sphinxes and an Owl
Louis Jean Desprez — Tomb with Caryatids
Francesco Piranesi|Giovanni Battista Piranesi — Prison Scene
Pietro Fancelli (Italian, 1764–1850) — Design for a Fresco o
Louis Jean Desprez — Tomb with Death Enthroned as a Sphinx
Louis Jean Desprez — Tomb with Death Standing
Giovanni Battista Piranesi — Interior view of the villa of M
Wenceslaus Hollar|Sebastiaen Vrancx — Roman remains at Tivol
Hendrik Voogd — The Interior of the So-called Stables of Mae
Giovanni Battista Piranesi|Giovanni Bouchard — The Sawhorse,
Anonymous, Italian, 19th century — Crypt with a Kneeling Mou
Giovanni Battista Piranesi (Italian, 1720–1778) — The Prison