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In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Palm leaf was the preferred material for sacred texts before the 1400s in India. The text here was often appended to the Kalpa-sutra, the most sacred book of Jainism. This story concerns the life of a Jain teacher named Kalaka, a prince who developed the ability to work magic after he become a monk, inspired by the teachings of a holy man. The painting on this page shows a monk clad in white, indicating his affiliation with the Shvetambara (“white clad”) branch of Jainism. It is the second to the last page of the manuscript and includes the beginning of the colophon, which contains information about when and where this manuscript was produced.
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Folio 2, from a Kalpa-sutra and Story of Kalakacharya: Monk
Folio 167, from a Kalpa-sutra and Story of Kalakacharya: two
Folio 2, from a Great Poem about Twos (Dvyashraya Mahakavya)
Folio 2, from a Kalpa-sutra: A Monk Preaching (recto); Text
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