● On view now — Gallery 211
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Francisco de Zurbarán excelled at painting altarpieces that presented saints in an accessible manner. Catholic reformers, who aimed to revitalize Catholicism in the face of the Protestant Reformation, emphasized that religious painting should feature easily recognizable figures and narratives in order to reach contemporary audiences. This canvas, made for the high altar of the church of San Román in Seville, Spain, aligns with the church’s dedication to Saint Romanus of Antioch. Romanus towers over Saint Barulas, a seven-year-old child who was inspired to martyrdom by the elder saint’s words. Romanus holds up his own tongue, torn out by his tormentors, and grasps a massive book inscribed with a prayer invoking his intercession on behalf of the faithful.
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Francesco Albani — Virgin and Child Adored by Saint Francis
Scarsellino (Ippolito Scarsella) — The Virgin Adored by Sain
El Greco (Domenikos Theotokopoulos) — Apparition of the Virg
Anonymous, Italian, 19th century — A saint holding a crucifi
Hans Memling — Saint Anthony of Padua
Federico Barocci — Saint Francis
Claude François — St. Paschal Baylon Adoring the Blessed Sac
Veronica Stern — Madonna and Child Appearing to Saint Louis
Abraham van Diepenbeeck|Cornelis Galle I — The Blessed Henry
Lodovico Carracci — The Vision of Saint Francis
Guercino (Giovanni Francesco Barbieri) — The Vocation of Sai
Simone Cantarini — Saint Anthony of Padua adoring the Christ