Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In 1626 the Dominican monastery of San Pablo el Real in Seville, Spain, commissioned the young Francisco de Zurbarán to execute a cycle of paintings including The Crucifixion . This work was installed in a dimly lit space in the monastery and was visible to visitors through a grill. Early commentators remarked on its powerful illusion of three-dimensionality, as though it was a sculpture rather than a painting. The dramatically illuminated figure of Christ, set against a dark, empty background, appears outside of time and place, both idealized in its quiet beauty and humanized by the individualized face and insistent realism.
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Caravaggio (Italian, 1571–1610) — The Crucifixion of Saint A
El Greco (Spanish, 1541–1614) — Christ on the Cross
Crucifixion
Flemish — Christ on the Cross
Sebastiano del Piombo — Christ Carrying the Cross
Hendrick ter Brugghen — The Crucifixion with the Virgin and
Alessandro Algardi — Crucifix
El Greco (Domenikos Theotokopoulos) — Christ Carrying the Cr
Edouard Manet — The Dead Christ with Angels
Matthias Stom — Ecce Homo
anonymous — Mary Magdalene at the foot of the cross
Guido Reni|Antonio Dalco|Artaria et Fontaine — Christ on the