Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
During the kesa's early history, the design of the garment was highly codified, based upon the standards and practices of individual sects. But during the Edo period, when Japan essentially closed its borders and artists looked inward for inspiration, innovations were introduced that challenged this rigid tradition. The columns of patches universal to kesas were now occasionally inferred by motifs that created the desired impression, such as lines drawn on the surface of the uncut fabric or, as here, the addition of cording, now incomplete owing to wear.
Be the first to share your thoughts.
Sign in to join the discussion.
Pesisir
Indonesia, Central Java, Cirebon — Skirt Cloth (Kai
Indonesia, Java — Slendang (Shawl)
Paminggir — Woman's Ceremonial Skirt (tapis)
Southern Germany, probably Württemberg — Table Carpet
Italy — Fragment
Anonymous — Panel
India, Gujarat — Fragment of Mawa' or Ma'a (Sacred Heirloom
Near East — Fragment (Dress Fabric)
India
Found in South Sumatra — Ceremonial Cloth
Indonesia, Java — Slendang (Shawl)