Franco-Flemh, possibly Paris or Bruges
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Two fashionably dressed women, a man in falconer’s garb, another man in the less ornate costume of a foot soldier, and a dog occupy an island surrounded by a flat expanse covered in an overall pattern of small flowers and plants known as millefleur. The shallow, earthy cross section visible on the front edge of the island reveals that some attempt was made to create an impression of depth. It is unlikely that this image had any particular symbolic or narrative significance; rather, it was probably the decorative qualities of the figures’ stances and costumes and the fantastical millefleur setting that appealed to contemporary viewers. Such millefleur designs were extremely popular because of their accessibility, functional flexibility, and manageable scale. This particular example is of an appropriate size and subject to have hung in the home of a wealthy family.
Be the first to share your thoughts.
Sign in to join the discussion.
Flanders, possibly Tournai — Alexander Encounters Thalestris
Basel (present-day Switzerland) — The Lovers
Hans Bol — Diana and Her Nymphs with the Ox Hunt
Franco-Flemish — Camel Riders, presumably from a Wild Man se
Bernard van Orley — July
Michiel Coxcie, I — The Diversion of the Euphrates, from The
Jan van Tiegen — The Meeting of Jacob and Rebecca, and Isaac
Jacques Geubels, I — Venus and Adonis (?) with the Duck Hunt
Wauters Workshop — Orpheus Playing the Lyre to Hades and Per
Erasmus de Pannemaker, I — Pluto and Proserpina with Falconr
English — Susanna and the Elders
Follower of Bernard van Orley — October