Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A Genoese artist who worked mostly in Milan, Alessandro Magnasco epitomizes the transition between 17th- and 18th-century art in northern Italy. Rarely did his highly individual style find such expression as in this drawing, in which reddish-brown chalk wash heightened with white approximates the agitated strokes of the heavily applied impasto in his oil paintings.
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Francesco Lorenzi — Study for Institution of the Rosary by S
Polidoro da Caravaggio — Adoration of the Shepherds
Cosmos Damian Asam — Annunciation
Johannes Glauber — The Holy Family with Saint John the Bapti
Anonymous, German, 17th century|Govert Flinck — Scene of Wit
Charles Le Brun — Moses Drawing Water from the Rock
Giovanni Battista Tiepolo — The Flight Into Egypt
Tommaso Manzuoli — Trinity with the Virgin, and Ten Saints
Gabriel Jacques de Saint-Aubin — Laban Searching for his Hou
Giovanni Battista Tiepolo — The Meeting of Abraham and Melch
Jan Wellens de Cock — Temptation of St. Anthony (recto); Fan
Martin Johann Schmidt — The Martyrdom of Saint Barbara