Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This design, like a number of others by Utagawa Hiroshige, is known in other versions: one printed entirely in grayish tints (as here), and one printed in a range of soft greens and browns. Normally, prints produced with a monochromatic palette are thought to have been made earlier than more colorful versions. However, a close examination of this sheet alongside others with the color scheme described above indicates that the monochromatic version of the design is probably later than the state with more color.
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歌川広重画 「東海道五十三次 大尾 京師 三条大橋」|Kyoto: The Great Bridge at Sanjō
Opening of the Garden at Fukagawa Hachiman Shrine (Fukagawa
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Kumano Junisha Shrine in Tsunohazu, Popularly Known as Junis
Gotenyama no yu-zakura|東都名所 御殿山之夕桜|Evening Cherry Blossoms a
Sakanoshita: Peak of Fudesute Mountain (Sakanoshita, Fudesut
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Shōtei Hokuju 昇亭北寿
Utagawa Kuniyoshi — Shono, Kameyama, Seki, Sakanoshita, and
Utagawa Kuniyoshi — Nissaka, Kakegawa, Fukuroi, Mitsuke, and
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Utagawa Hiroshige (Japanese, 1797–1858) — Picture of Matsuch
Katsushika Hokusai — Mount Fuji in Winter, from The Picture
Utagawa Kuniyoshi — Hara, Yoshiwara, and Kanbara, from the s
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Utagawa Hiroshige II (Shigenobu) — Actual View of Shimotani,
Kubo Shunman (Japanese, 1757–1820) — Mt. Fuji through Pines
Katsushika Hokusai — 冨嶽三十六景 信州諏訪湖|Lake Suwa in Shinano Provi