Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Kubo Shunman dashed off this loose image of Mt. Fuji viewed in the distance from behind pine trees as a performance painting, or sekiga . He did it on the spot in the company of members of his poetry club. Six of them, including the club's founder Yadoya no Meshimori (Rokujuen, 1753–1830), added kyoka poems, 31-syllable poems like the classical Japanese waka poem in form, but with a heavy emphasis on humor. Shunman jotted down a poem as well, in the bottom right corner of the painting, before signing and sealing it. Each poem takes the painted image as its point of departure.
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Utagawa Kuniyoshi — Shono, Kameyama, Seki, Sakanoshita, and
Kameda Bōsai
Zhai Dakun (Chinese, d. 1804) — Landscape in the Style of Ch
Zhai Dakun (Chinese, d. 1804) — Landscape
Ryūryūkyo Shinsai
Hu Zhengyan — 明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Ba
Lan Ying — Landscape in the Style of Ancient Masters: after
Utagawa Kuniyoshi — Distant View of Mount Fuji at Dawn from
Utagawa Hiroshige — Sado Province: Gold Mines (Sado, Kinzan)
Kano Tansui Moritsune — 狩野探水守常筆 蓬莱山・瀟湘八景図|Mount Penglai with
Wang Hui — 倣趙伯駒山水圖 軸|Landscape in the Style of Zhao Boju (Fa
Katsushika Hokusai — 冨嶽三十六景 信州諏訪湖|Lake Suwa in Shinano Provi