Jean Louis André Théodore Géricault
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These lithographs from The English Suite exhibit Théodore Géricault’s attention to working horses and the urban poor of 19th-century London. Two prints depict the horse-shoeing process; here, the French farrier holds the horse’s hoof while an apprentice prepares a horseshoe in the back room. In another print, a Flemish farrier affixes the hot metal. In the pair of prints, an elderly man and woman are stranded in the city streets; bakers ignore the man slumped below their open shop window.
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Head of a Guillotined Man
Seven Sketches of Pairs of Boxers or Wrestlers
Sketches: Stable Boy Carrying a Bucket
General of the First Empire Giving his Cavalry Orders to Cha
Portrait of a Man
Sketch of a Horse Facing Right and a Caricature in Profile
Caricature of a Man Wearing a Broad-Brimmed Hat
Studies of a Grenadier and a Munitions Cart
Théodore Gericault — The English Blacksmith
Théodore Géricault (French, 1791–1824) — The French Blacksmi
Rembrandt van Rijn — The Good Samaritan
Théodore Gericault — The French Blacksmith
Théodore Gericault — Two Post Horses at the Door of a Stable
Théodore Géricault (French, 1791–1824) — Various Subjects Dr
James McNeill Whistler — The Farriers
Rembrandt (Rembrandt van Rijn) — The Good Samaritan
Charles Émile Jacque — Parisian Courtyard
Johann Adam Klein — Farmer and His Cart
Théodore Géricault (French, 1791–1824) — The Ferrier's Shed
James McNeill Whistler — The Farriers