Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The soothing effect of David’s music upon the melancholic King Saul, as relayed in the Old Testament and depicted here by Frans Floris, is the earliest visual evidence of the therapeutic use of music. Floris’s woodcut would have had contemporary relevance in its affirmation of Martin Luther’s belief that music-a divine power that creates order—had been made by God to combat the destructive power of evil.
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Master of the Die|Michiel Coxie (I) — Psyche's father consul
Pietro Testa|Anonymous, 17th century — The return of the Pro
Dirck Volckertsz Coornhert|Maarten van Heemskerck — Solomon
Marcantonio Raimondi|Albrecht Dürer — The Crown of Thorns; m
Giovanni Jacopo Caraglio|Parmigianino (Girolamo Francesco Ma
Antonio da Trento (Italian, c. 1508–c. 1550) — The Martyrdom
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
Grégoire Huret — Christ Before Caiaphas, from The Passion of
Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio Sala
Willem van Swanenburgh — Count William Permitting Beheading,
Giorgio Ghisi (Italian, 1520–1582) — The Calumny of Apelles
Master FG|Giulio Bonasone — Rome emperor on a throne, vestal