● On view now — Gallery 245
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Along with Arnold Böcklin , Hans Thoma was a leading Northern European figure in the shift from Realism and history painting to art inspired by classical myths and legends. Taken from Ovid’s epic poem Metamorphoses , Thoma showed the satyr Marsyas challenging Apollo, the master of the lyre, to a musical contest. Although he avoided depicting the cruel outcome of the match (the satyr lost and was flayed alive by Apollo), the artist’s treatment of Apollo, whose idealized body and luminous skin set him apart from the shadowy halftones of his challenger, hints at the winner. Thoma’s painted frame may also have been inspired by a tale from Ovid’s Metamorphoses .
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George Bellows (American, 1882–1925) — Amour
Arthur B. Davies (American, 1862–1928) — Hermes and the Infa
René Ménard (French, 1862–1930) — Pastoral Scene
Master I.B. with the Bird — Saint Sebastian
Adam Elsheimer — Saint John the Baptist in the Wilderness
Will Hicock Low — Into the Green Recessed Woods They Flew
Will Hicock Low — And So He Rested on the Lonely Ground
Max Klinger — Psyche Wandering, plate 28 from Cupid and Psyc
Hilaire Germain Edgar Degas — Young Spartan Girls Challengin
Lucas Cranach the Elder — Adam
Ernest Rouart (French, 1874–1942) — The Martyrdom of St. Seb
Sir John Edward Poynter — The Golden Age