Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The iridescent sheen on this flask, an artificially created effect sought after by 19th-century glassmaking innovators such as Louis Comfort Tiffany, was not actually intended by or known to their makers. Because of their association with luxury and precious oils and perfumes, these vessels were often buried with their owners in tombs, the chemical conditions of which, over time, have caused the surfaces to deteriorate, resulting in the shimmering, often opalescent, hues that appeal to the modern eye.
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Byzantine — Flask
Graeco-Roman — Vase
Ancient Levantine — Beaker or Goblet
Ancient Mediterranean — Jar
Ancient Levantine — Sprinkler or Dropper Bottle
China — Wine Flask (Bian Hu)
Ancient Mediterranean — Pitcher
China — Jar
Islamic — Bottle
Korea — Water Bottle (Kundika)
China — Storage Jar (Hu) with Hunting Scenes
Byzantine — Flat Flask