Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
These three fan-shaped paintings, now mounted as individual hanging scrolls, were once part of a set of 20 mounted on a folding screen. They portray the Chinese subjects, from left to right, of the scholar-official Pan Lang, Hanshan reciting his poetry to Shide, and a duck in flight above reeds. Pan Lang grew so fond of the mountain in his place of exile that when he was ordered back to the capital, he rode backward on his donkey so he could see it until it receded into the distance. Hanshan and Shide worked in the kitchen of a Zen monastery, but were actually reincarnations of the bodhisattvas Manjushri and Samantabhadra. The combination of a mandarin duck and reeds may have signified a level of attainment in Chinese civil service exams. All three paintings bear the seal of the Kantobased artist Shikibu Terutada. Shikibu was familiar with Kano school painting, but he also modeled his early style after that of the prominent Kanto-based Kenkō Shōkei (active about 1470–after 1523).
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Kano Tsunenobu — 狩野常信筆 燕子花に鴛鴦図|Mandarin Ducks and Iris
Ducks and Reeds
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Wild Geese and Reeds
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Kano Sōshū 狩野宗秀 — 雪中芭蕉小禽図 (Setchū bashō shōkin zu)|Plantain
Ju Chao — 清 居巢 鳥圖 扇面|Bird
Kano Sanraku (Japanese, 1559–1635) — Wild Geese
Nagasawa Rosetsu (Japanese, 1754–1799) — Puppies, Sparrows,
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Kano Sanraku (Japanese, 1559–1635) — Wild Geese
Ryūryūkyo Shinsai