● On view now — Gallery 215
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Francesco Bertos specialized in creating allegorical groups of great complexity in marble and bronze. Pyramidal in shape, these works consist of multiple figures generally embodying the triumph of virtue over vice. Here the subject is a winged personification of victory standing on a unicorn, the symbol of purity, and supported by the mythical Greek hero Hercules (wearing the hide of the lion he killed in the first of his 12 labors), representing valor. Below are figures who personify riches, prudence, agriculture and abundance, and honor overcoming deceit.
Be the first to share your thoughts.
Sign in to join the discussion.
John Michael Rysbrack — Unexecuted Design for the Monument t
John Michael Rysbrack — Warrior Accompanied by Britannia, Mi
Pieter Soutman|Peter Paul Rubens — The Fall of the Damned
Joseph Nollekens|Captain William Blair|Lord Robert Manners|C
John Michael Rysbrack — Unexecuted Design for the Monument t
Octave Tassaert (French, 1800–1874) — Heaven and Hell
Jacob de Gheyn, II — Neptune’s Kingdom
Étienne Delaune — Combats and Triumphs: Battle of the Naked
Etienne Delaune (French, 1518/19-c. 1583) — Combats and Triu
Alart du Hameel — The Last Judgment
Master FVB (German) — St. Anthony Tormented by the Devils
Pieter Verbruggen the Younger|Anonymous, Flemish, 17th centu