Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Artist and architect Alart du Hameel engraved the word Bosche at the top of most of his prints. This likely refers to his birthplace of ’s-Hertogenbosch. The undulation, rowdiness, and irrepressible flatulence of the creatures are also characteristic of Hieronymus Bosch, indicating the design may be after a painting by Bosch, now lost. In this chaotic battle between good and evil, only a select few souls are ushered to heaven through the narrow chasm in the upper left corner. The foreground teems with devils tormenting those damned for all eternity.
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Lucas van Doetecum — The Resurrection of Christ
Telman of Wesel — St. George Killing The Dragon
Albrecht Dürer — The Four Avenging Angels of Euphrates, from
Michael Herr — The Last Judgment
Albrecht Dürer — The Seven Trumpets, from The Apocalypse
Jean Duvet (French, 1485–1561) — The Apocalpse: St. John Su
Lorck, Melchior — The Deluge
Abraham Jansz. van Diepenbeeck — The Resurrection of the Dea
Anton Domenico Gabbiani — Design for a Ceiling Decoration: A
Michel Wolgemut — The Fall of Lucifer and the Rebel Angels (
Jean Duvet (French, 1485–1561) — The Apocalypse: The Angel
Jean Duvet (French, 1485–1561) — The Apocalypse: The Openin