In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
The title of this painting references a famous Renaissance-era bridge in Florence, Italy. In the use of softly colored geometric shapes Morgan drew from the methods of analytic cubism established by Picasso and Braque. Also discernable in this quasi-abstraction are polychromatic merchants' stalls and rectangular windows, which help to bring the monument into focus.
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Paul Klee — Village Among Rocks (Ort in Felsen)
Henri Matisse — Sketch for Le Bonheur de vivre
Kristján DavíÐsson — Still Life
Luigi Settanni — Spreading Nets, Douarnenez
Paul Klee — Sicilian Landscape (Sicilische Landschaft)
Charles Demuth — Bermuda Landscape No. 2
Charles Demuth — Bermuda: Houses
Barbara Reiff — Still Life Abstraction ("Cheese and Crackers
Charles Demuth — Bermuda: Trees and Architecture
Pablo Picasso — Packet of Cigarettes and Newspaper (Paquet d
Charles Demuth — Bermuda: Stairway
Charles Demuth — Bermuda Landscape No. 1