In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
The title of this painting references a famous Renaissance-era bridge in Florence, Italy. In the use of softly colored geometric shapes Morgan drew from the methods of analytic cubism established by Picasso and Braque. Also discernable in this quasi-abstraction are polychromatic merchants' stalls and rectangular windows, which help to bring the monument into focus.
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