Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Lithography was invented in 1798 by the German Aloys Senefelder. Although the technique was introduced in France in 1801, it was predominantly used for commercial ventures until 1815 when lithographic workshops—like that of François Delpech, who printed The French Soldier —were established in Paris. In 1814 Napoleon Bonaparte abdicated the throne and was banished to the island of Elba before being permanently exiled on Saint Helena. With the ensuing void in leadership, an idealized version of the Napoleonic era developed and Charlet was one of many artists who used art to glorify the French military. The French soldier depicted here, victorious against the prone Englishman, reloads his rifle and, although wounded, courageously continues to fight. The couplet from Horace beneath the scene comments that nothing can shatter the steadfastness of an honorable man.
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Nicolas Toussaint Charlet — The French Soldier
Denis Auguste Marie Raffet — Close the Ranks
Hippolyte Bellangé — The Wounded Standard-Bearer
Jean Louis André Théodore Géricault — The Artillery Caisson
Carle Vernet — Royal Guard, Norman Mounted Light Infantryman
Denis Auguste Marie Raffet — We Have Won!
Théodore Géricault (French, 1791–1824) — Return from Russia
Carle Vernet — Royal Guard, Norman Mounted Dragoon and Horse
Carle Vernet — Royal Guard, Mounted Hussard and Horse No. 6
Carle Vernet — Cuirassier on Foot Holding back his Rearing H
Edouard Swebach (French, 1800–1870) — The Death of the Couri
Auguste Raffet (French, 1804–1860) — L'Album de 1832: Revei