● On view now — Gallery 211
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This is one of four large canvases devoted to the life of Saint John the Baptist that Bartolomé Esteban Murillo painted for the convent of San Leandro in his native Seville, Spain. Inscriptions from the gospels of John and Luke float in the sky, accompanied by the eagle and winged bull that, respectively, symbolize these evangelists. John the Baptist’s gesture toward Jesus alludes to the Baptist’s role in preparing the way for Christ. When he painted this series, Murillo was transitioning away from the hard edges and dramatic shading inspired by Francisco de Zurbarán toward softer, more vaporous effects.
Be the first to share your thoughts.
Sign in to join the discussion.
Giovanni Battista Piazzetta (Italian, 1682–1754) — The Suppe
Francesco Francia — Saint Roch
Adam Camerarius — Christ and the Centurion
Martino Rota|Titian (Tiziano Vecellio)|Luca Guarinoni — The
Christ Appearing to Mary Magdalen as a Gardener (Noli me Tan
Velázquez (Diego Rodríguez de Silva y Velázquez) — The Suppe
Bartolomé Esteban Murillo (Spanish, 1617–1682) — Laban Searc
Matthias Stom — Ecce Homo
Grégoire Huret — Noli Me Tangere, from The Passion of Christ
anonymous — Jesus and the Canaanite Woman
Lambert Jacobsz — The Prophet of Bethel Meets the Man of God
Giovanni Girolamo Savoldo (Italian, c. 1480–after 1548) — Ch