Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Teotihuacan ceramic vessels were often fired and coated with a fine plaster that was then painted with figures and symbolic elements. This technique was derived from methods employed by mural painters, who covered masonry walls with fine plaster to serve as the ground for large-scale frescoes. The flaming torch may well allude to the ceremony of New Fire, kindled at New Year’s festivals and every 52 years at the inauguration of a new “century” in the native calendar system.
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Nasca — Bowl Depicting Costumed Ritual Performer with Serpen
Jalisco — Bowl with Abstract and Geometric Designs
Nasca — Cup Depicting Masked Performer Holding Weapon
Nasca — One of a Pair of Matched Bowls Depicting Costumed Ri
Nasca — Beaker Depicting a Decapitated Head Wearing an Intri
Nasca — Beaker with Molded Horizontal Bands, Depicting a Mas
Nasca — Small Bowl Depicting Costumed Ritual Performer
Nasca — Bowl Depicting Abstract Birds with Personfied Elemen
Nasca — Bowl Depicting Row of Abstract Figures, Possibly Tad
Cholula — Polychrome Bowl Depicting Eight Abstract Motifs on
Nasca — Beaker Depicting Decapitated Heads, Likely Trophy He
Nasca — Cup Depicting a Masked Performer Holding Staffs