Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The Japanese artist Tomioka Tessai (1836-1924) adds a colophon on the last page, commenting on the rarity of Fan Qi's paintings among those of the Eight Masters of Nanjing. They were modeled after Tang and Song masters and captured the rhythms of life. "Whenever I open this album, my mind is pleased," he writes.
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清 樊圻 為玉翁作山水圖 冊|Landscapes Painted for Yuweng
清 樊圻 山水圖 冊 紙本|Landscapes
Album of Miscellaneous Subjects, Leaf 1
Album of Miscellaneous Subjects, Leaf 2
Album of Miscellaneous Subjects, Leaf 3
Album of Miscellaneous Subjects, Leaf 4
Album of Miscellaneous Subjects, Leaf 5
Album of Miscellaneous Subjects, Leaf 10
Chen Hongshou (Chinese, 1598/99–1652) — Paintings after Anci
Tanomura Chikuden (Japanese, 1777–1835) — Calligraphy
Kobori Enshū
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Chen Hongshou (Chinese, 1598/99–1652) — Paintings after Anci
Kamisaka Sekka (Japanese, 1866–1942) — Flowers of a Hundred 
Shitao (Chinese, 1642–1707) — Reminiscences of Qinhuai River
Yoshitsugu Haizan (Japanese, 1846–1915) — Preface from Album
Wen Boren (Chinese, 1502–1575) — Saying Farewell at Xunyang 
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and