Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In George Hitchcock’s unusual presentation of the Annunciation, the virgin is depicted as a Dutch peasant girl standing in a field of lilies. Traditionally, the lily is a symbol of the angel Gabriel, and Mary’s downcast eyes and humble stance imply that she has received his divine message. Hitchcock spent much of his life in Holland, and his work synthesizes elements of several European art movements. The choice of a religious subject, the unusual composition, and his interest in the effects of sunlight and shadow reflect the influence of the Pre-Raphaelites, the Symbolists, and the Impressionists on Hitchcock’s work.
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George Hitchcock (American, 1850–1913) — The Blessed Mother
John Macallan Swan — Vluchtelinge
Jules Bastien-Lepage — Joan of Arc
Jules Breton — The Song of the Lark
George B. Butler (American, 1838–1907) — Capri Lace Maker
Arthur Davies — Flora
Paul Sérusier — The Harvest of Buckwheat
Henri Jean Guillaume Martin (French, 1860–1943) — Woman in P
Jan Toorop — Vrouwen aan zee
Odilon Redon (French, 1840–1916) — Violette Heymann
Gustav Klimt — Serena Pulitzer Lederer (1867–1943)