Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
While the arrival of the Magi in the Mirror of Holiness, CMA 2005.145.36.b , is a fairly quiet affair, here the kings enter the holy birthplace with great fanfare, accompanied by a large retinue. A wide variety of costumes, poses, figural types, and facial expressions enhance the theatricality and visual interest of the scene. Particularly luxurious are the costumes of the Magi and the priceless gifts they have brought. Amid the noise and splendor, the infant Jesus is distinguished by the brilliant light that emanates from his head.
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Lucas van Leyden — Adoration of the Magi
Martin Schongauer (German, c. 1450–1491) — Adoration of the 
Lucas van Leyden — Potiphar's Wife Acuses Joseph
Israhel van Meckenem (German, c. 1440–1503) — The Dance at t
Lucas van Leyden — The Triumph of Mordecai
Lucas van Leyden — Potiphar's Wife Acuses Joseph
Hendrick Goltzius — Adoration of the Magi
Ludwig Krug (German, 1490–1532) — L'Adoration des Rois
Israhel van Meckenem|Hans Holbein the Elder — The Massacre o
Clement de Jonghe|Lucas van Leyden — Potiphar's Wife Accuses
Albrecht Dürer (German, 1471–1528) — The Circumcision
Martin Schongauer — The Adoration of the Magi
