Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Fantin-Latour underwent a striking evolution over the course of his career, starting out as a member of the Realist avant-garde before creating anti-Realist, fantastic compositions in the 1870s. This masterful pastel honoring the late French Romantic composer Hector Berlioz is part of the proto-Symbolist “imaginative projects” developed by Fantin-Latour around 1875.
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Pierre Paul Prud'hon — Innocence Prefers Love to Riches
Henri Fantin-Latour (French, 1836–1904) — À Johannes Brahms
Nicolas-François Chifflart (French, 1825–1901) — Melancholy
Lodovico Lipparini — Feast of Ceres
Will Hicock Low — And Lycius' Arms Were Empty of Delight
Hans Makart — The Dream after the Ball
John Douglas Miller — The First Whisper of Love
Narcisse-Virgile Diaz de la Peña — Diana
Sir John Edward Poynter — The Festival
Sir Lawrence Alma-Tadema|Leopold Löwenstam|Thomas McLean — T
Paolo Mei — Two Ladies of Ancient Rome
Joseph Marie Vien — Woman Reclining