Royal Horse Inspection

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

This painting shows the royal stables in Isfahan. In the upper half of the work, the Persian king, or shah (sitting next to the column on the right), has gathered on a platform with five kneeling courtiers and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, before this painting was executed. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion of the painting depicts a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left —but the courtiers and handlers seem to be regaining control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a journalistic or even anecdotal approach to Persian painting that was introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it

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