● On view now — Gallery 242
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
With this painting of the dance hall known as the Moulin de la Galette, Henri de Toulouse-Lautrec established his reputation as the chronicler of the Montmartre district’s famed nightlife. A wooden barrier bisects the composition, dividing the frenzied action of the dance floor in the background from the stillness of the women waiting in the foreground. Toulouse-Lautrec used turpentine to thin his paint and applied it in loose washes, a technique known as peinture à l’essence . The result is a sketchy style that conveys both the immediacy of the artist’s observations and the tawdry atmosphere of his subject.
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Hilaire Germain Edgar Degas — Café-Concert (The Spectators)
Henri de Toulouse-Lautrec (French, 1864–1901) — Monsieur Boi
Vincent van Gogh — The Brothel (Le Lupanar)
Jozseph Rippl-Rónaï — Festival in Bretagne
Henri de Toulouse-Lautrec (French, 1864–1901) — At the Mouli
John Sloan (American, 1871–1951) — The Rathskeller
Hilaire Germain Edgar Degas — Portrait after a Costume Ball
Henri de Toulouse-Lautrec|L'Escarmouche|Edward Ancourt — Au
Henri de Toulouse-Lautrec|Edouard Kleinmann — La Tige, Mouli