Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The invention of photography was announced in 1839, but photographers did not arrive in Egypt until around 1850. Prior to that, general knowledge about the ancient sites came from writings and reproductions of the paintings and drawings of adventurous artists. Roberts, the first British artist to produce a series of Egyptian views, traveled through the Middle East in 1838–40. Back in England, he worked with Haghe to translate his drawings into color lithographs, which were published between 1842 and 1849 as an opulent series of portfolios. A stimulating mixture of documentation and romanticism that still moves today’s viewers, Roberts’s images appeared just before the availability of photographic depictions of the region and inspired the photographers who followed in his footsteps.
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Egypt and Nubia, Volume II: Statues of Memnon at Thebes, dur
Egypt and Nubia, Volume II: Hagar Setsilis
Egypt and Nubia, Volume II: Entrance to the Tombs of the Kin
Egypt and Nubia: Volume I - No. 12, Hadjar Silsilis
Egypt and Nubia, Volume II: General View of Esouan and the I
Confessional, Church of St. Paul, Antwerp
Egypt and Nubia, Volume III: View on the Nile, Ferry to Gize
Egypt and Nubia, Volume III: The Citadel of Cairo, Residence
Félix Bonfils — Pyramides et le Sphinx
Gustave Le Gray — Pyramides de Gizèh
Francis Frith — The Sphynx and Great Pyramid, Geezeh
Walter Frederick Roofe Tyndale (British, born Belgium, 1855–
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Gustave Le Gray — Pyramides de Gizèh
Wilhelm Hammerschmidt — Tête du Sphynx
Luc-Olivier Merson (French, 1846–1920) — Rest on the Flight
Francis Frith — The Rameseum of El-Kurneh, Thebes
Antonio Beato (British, c. 1825–1903) — The Colossi of Memno
John Beasley Greene (American, 1832–1856) — The Sphinx