Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
By the mid 19th century, the complexities of printing in numerous colors had been mastered, culminating in one of the high points of European printmaking. The plates drawn by Haghe, which copy the watercolors that David Roberts made in Egypt, are exquisite examples of color lithography. Egypt was a distant, mysterious country for Europeans and Haghe, a Scottish topographical and architectural artist who spent the year of 1838 traveling across this ancient land. The resulting prints—the first comprehensive series of views of the monuments, landscapes, and people of the Near East—were especially appreciated for their brilliant color and large scale.
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Egypt and Nubia, Volume III: Approach of the Simoon-Desert
Egypt and Nubia, Volume II: Hagar Setsilis
Ceremony in a Cathedral
Egypt and Nubia, Volume II: Entrance to the Tombs of the Kin
Egypt and Nubia: Volume I - No. 12, Hadjar Silsilis
Egypt and Nubia, Volume II: General View of Esouan and the I
Confessional, Church of St. Paul, Antwerp
Egypt and Nubia, Volume III: View on the Nile, Ferry to Gize